What to stream this week: The Mitford sisters and five more picks

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This week’s picks include a period romp about the British aristocracy in the 1930s, a documentary about Billy Joel, and a soap-tinged melodrama starring Brittany Snow and Malin Akerman.

Outrageous ★★★½ (BritBox)

Told with a giddy energy that matches the bottles of champagne repeatedly being popped, Outrageous is a period romp about the British upper class that traverses the fine line between farce and tragedy. The show’s historic subject is the Mitford sisters – six daughters of the aristocracy who became a microcosm of Europe’s ructions in the 1930s. Influencers in a tabloid headline era, they were the closest of siblings who eventually became adversaries. You couldn’t make this story up if you tried. Really, really tried.

It’s 1931 and Nancy (Bessie Carter) serves as wry narrator – she’s a budding novelist whose own family will provide irresistible material. Diana (Joanna Vanderham) is “the beauty”, soon to leave her Guinness heir husband for Britain’s leading fascist, Sir Oswald Mosley (Joshua Sasse). Unity (Shannon Watson) will go beyond that – she befriends Adolf Hitler. Jessica (Zoe Brough) becomes an ardent communist. Pamela (Isobel Jesper Jones) loves her Angus cattle herd. Deborah (Orla Hill) simply wants a husband and a nice country house.

Put two or more of the sisters in a scene and the dialogue has screwball pace and droll retorts. In adapting Mary S. Lovell’s 2001 biography, The Mitford Girls, creator Sarah Williams has captured solidarity as a kind of accelerant. Growing up together – their father, Baron Redesdale (James Purefoy), believed girls shouldn’t go to school – the young women pushed at boundaries and ached for agency and purpose. Everything is a lark, until it very much isn’t (hint: when Unity fangirls Hitler).

There’s frivolity, some truly sketchy male suitors, and ominous headlines; imagine Wes Anderson adapting Hilary Mantel. The six episodes roll through five years. The budget struggles with the sweep of history – a Nuremberg rally is done with merely dozens of extras – but the personal dynamics are fascinating. It’s ultimately a story of how you respond when someone you love crosses a line you never imagined existed. There’s a scene between Unity and Jessica, the sadness tinged with memories of joint silliness, that’s quietly heartbreaking.

Joshua Sasse as Oswald Mosley in Outrageous.

Tellingly, the conundrums the Mitford sisters impose on each other couldn’t be more timely. The appeal of fascism is debated at family meals, while opposing criticisms are righteously written off as propaganda and misinformation – free speech as an absolute defence is repeatedly invoked, political street violence threatens to become the norm. It’s both entertaining and horrifying, as living in the moment often proves to be, with the Bright Young Things insouciance serving as a Trojan horse. The first season concludes in 1936, and I hope there’s another – their story has earnt a reckoning.

Billy Joel: And So It Goes ★★★(HBO Max)

Consisting of two episodes each the length of a sizeable feature film, this documentary about Billy Joel, one of the biggest-selling artists in the history of popular music, will hold an obvious appeal to fans. His music is prominent throughout and Joel discusses his life with pugnacious candour. But it’s also of interest to novices, because Joel has long been contradictory: a populist suspicious of his own hits, a superstar who struggled to fit in.

“The most original thing I’ve done in my life is screw up,” Joel tells directors Susan Lacy and Jessica Levin, and while they don’t tug too hard on the many tangled threads of Joel’s life and art this comprehensive documentary is a reminder that anyone with such a gargantuan career – over 150 million albums sold, a residency at Madison Square Garden that lasted 10 years – has an intriguing psychological set-up.

The 76-year-old, who recently shelved all touring plans because of a normal pressure hydrocephalus diagnosis, was primarily a storyteller with his lyrics, and talking about them takes him back into the highs and lows – but mostly lows – of his own life. The likes of Pink and Bruce Springsteen offer input, but Joel’s real foil here is his former wife and manager Elizabeth Weber. They’ve been divorced since 1982, but her read on him remains essential. Very unlikely, very Billy Joel.

Jaime Ray Newman, Malin Akerman, Brittany Snow and Katie Lowes in The Hunting Wives.

The Hunting Wives ★★½ (Stan)

Hightown creator Rebecca Cutter returns with this soap-tinged melodrama about switching from one side of America’s cultural divide to the other. When a fresh start transplants Sophie O’Neill (Brittany Snow, The Night Agent) and her family from the East Cost to Texas, she becomes fast friends with the cadre of desperate housewives commanded by the wife of her husband’s new boss, Margo Banks (Malin Akerman, Billions). The desire for female friendship is an intriguing lens, but the story is taken up with mildly outrageous behaviour and the growing shadow of a murder enquiry.

Riff Raff ★★½ (Amazon Prime Video)

This American crime-comedy, informed by far better movies from the Coen brothers and Quentin Tarantino, is less than the sum of its parts: Bill Murray, Jennifer Coolidge, Ed Harris, Pete Davidson, Gabrielle Union, and Lewis Pullman all have roles in the ensemble cast. Directed by Dito Montiel (A Guide to Recognising Your Saints), the move struggles to lay out the many circumstances required to explain how an unexpected family gathering at the Maine cabin belonging to Harris’ Vincent is soon crashed by Murray and Davidson’s vengeful gangsters. Nothing really cuts through.

Rosenthal is visibly delighted by good food.

Somebody Feed Phil (season 8) ★★★ (Netflix)

One of Netflix’s longest-running shows, this culinary travel show continues to take Everybody Loves Raymond creator Phil Rosenthal from one tasty global locale to the next. More a chatty enthusiast than sombre gourmand, Rosenthal is visibly delighted by good food – his face finds the most delightfully idiosyncratic shapes when he bites into something he enjoys. Phil’s format is quick-fire stops, and this latest season fills a major gap in his planner by finally featuring an Australian episode that covers Sydney and Adelaide. The outside perspective makes for a refreshing change.

Sold! ★★★½ (Binge)

Mark Humphries has been many things on our TV screens, from sketch satirist to game show host, but he may well have found his defining purpose with this tragicomic documentary about Australia’s housing crisis. As a self-deprecating truth-seeker working with long-time collaborator Evan Williams and The Chaser’s Craig Reucassel, Humphries manages to cut through the unsettling numbers, partisan policies, and grim ramifications of a housing market that, over the course of this century, has flipped from inclusive to exclusive. The explanations are concise and bittersweet – it’s your choice to laugh or cry.

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