It’s that strange period again – from the days before Christmas into the new year – where everything goes both very quickly and very slowly. Yesterday we rounded up some of the shows across Victoria – today here are some exhibitions to keep in mind if you are heading interstate in the next few weeks.
NSW
Ron Mueck | Encounter
Art Gallery of NSW until April 12
The works of Ron Mueck on display at the Art Gallery of NSW.Credit: Ron Mueck: Encounter
The first thing to greet visitors at Ron Mueck’s largest-ever Australian exhibition at the Art Gallery of NSW is a pair of towering, naked buttocks. It is the rear view of a giant, heavily pregnant woman standing 2.5 metres. Mueck is renowned for his hyper-realistic, fleshy sculptures that play with scale, ranging from massive monuments to delicate miniatures. This exhibition features 15 of his 49 notable works, including the iconic Couple under an Umbrella. However, it is his debut work, Havoc – which features a pack of snarling, barking dogs turning on one another – that speaks most powerfully to our conflict ridden times. – Linda Morris
Data Dreams: Art and AI
Museum of Contemporary Art until April 27
Christopher Kulendran Thomas is among artists embracing AI with his work The Finesse.Credit: Janie Barrett
Regardless of whether artificial intelligence turns out to be the saviour or the destroyer of humanity (or maybe just an overhyped bubble ripe for bursting), there’s no denying it is the defining technology of the current era. This intriguingly diverse show from a group of international artists holds up AI for examination from multiple angles. As you’d expect, it’s heavy on immersive installations, all of which are well worth spending some time interrogating as a viewer as we consider where we have arrived and try to imagine where the technology might lead us – and our children – in future. – Nick Galvin
Australian Capital Territory
Super Kaylene Whiskey
National Portrait Gallery until March 9
Dolly Visits Indulkana was a finalist in the 2020 Archibald Prize.Credit: Kaylene Whiskey
If you’ve yet to come across Kaylene Whiskey’s work then you really haven’t been paying attention. Whiskey seems to be everywhere, from a number of major galleries to the sails of the Sydney Opera House and even on a line of high-end knitwear. And it’s all richly deserved. Whiskey is the latest superstar to emerge from the APY lands south of Alice Springs and is affiliated with the same art centre (Iwantja Arts) that produced Vincent Namatjira. Don’t miss her first major solo show in Canberra. Spend time with her bright, pop culture-infused work and you can’t help but come away feeling a little better about the world. – Nell Geraets
5th Indigenous Art Triennial: After the Rain
National Gallery of Australia until April 26
Tony Albert, artistic director of the 5th National Indigenous Art Triennial, in front of House of Namatjira.Credit: Alex Ellinghausen
This year’s 5th Indigenous Art Triennial has the theme “After The Rain”, tackling ideas of cleansing, rebirth, renewal and the cyclical nature of life. Curated by Tony Albert, a wide range of First Nations projects are represented in 10 separate installations. Among those featured are Vincent Namatjira, Thea Anamara Perkins and Aretha Brown. The show brings together work from as far north as the Torres Strait and as far south as Melbourne, reflecting Albert’s extensive travels to meet with his chosen artists. If you don’t manage to catch the show in Canberra it is due to tour. – Nick Galvin
Hallyu! The Korean Wave
National Museum of Australia until May 10
The Squid Game display at Hallyu! The Korean Wave.Credit: NMA
It’s difficult to miss the Korean wave, or Hallyu, these days. Squid Game, tteokbokki, BTS, Parasite – they’re all part of a massive phenomenon that has meant South Korean culture has dominated well beyond its borders. The National Museum of Australia captures the breadth and power of this movement in Hallyu! The Korean Wave, an exhibition that explores the history behind hallyu as well as how it’s being re-imagined Down Under. From ATEEZ outfits to classic Oldboy posters, the exhibition features about 250 objects, costumes and studio props originally displayed at the Victoria and Albert Museum in London. – Nell Geraets
Queensland
Olafur Eliasson: Presence
QAGOMA until July 12
Olafur Eliasson’s Presence is one of three new works created for the exhibition.Credit: QAGOMA
In a show that ranges from a long table covered in white Lego, a space where a glowing orb has drained all colours but yellow, to a room where a riverbed has been brought indoors, it can be hard at first to see what it is that brings it all together. When you take a step back, however, it becomes clear that Olafur Eliasson’s Presence is about connection. Each work invites you to see things from someone else’s point of view or plays with the idea that two people looking at the same thing will have an entirely different experience. Each piece on its own is worth the visit, but the ideas that drive them stay with you long after you’ve walked out the door. While at QAGOMA, be sure to head upstairs to see Kith and Kin, Archie Moore’s poignant artwork that won the Golden Lion at the Venice Biennale in 2024, and made him the first Australian artist ever to receive this accolade. – Elizabeth Flux
Northern Territory
2025 National Aboriginal and Torres Strait Islander Art Awards
Museum and Art Gallery Northern Territory (MAGNT) until January 26
Gaypalani Wanambi, the 2025 Telstra NATSIAA winner, at the Museum and Art Gallery of the Northern Territory.Credit: Charlie Bliss
Visiting Darwin is always a great chance to check out the Top End’s compact but elegant gallery in beautiful Fannie Bay. If you happen to be there before the end of January you can catch the finalists in the 42nd NATSIAAs – which is well worth your time. As ever, the awards are an excellent survey of current trends in First Nations art in Australia. This year’s worthy winner is Arnhem Land artist Gaypalani Wanambi and her work Burwu, blossom 2025, which features road signs with delicate engravings on the rear. – Nick Galvin
Western Australia
Pippin Drysdale: Infinite Terrain
Art Gallery of Western Australia until April 6
Pippin Drysdale Devil’s marbles – Seedlings Sprout (2018).Credit: Robert Frith
Fremantle-base ceramicist Pippin Drysdale has built a reputation both here and abroad with her exquisite work. Her technical mastery is matched by her exuberant use of colour in her pieces. “I just wanted to work with colour, colour, colour,” she says. Much of her inspiration and the characteristic rich hues are drawn from the Australian landscape, in particular the Tanami Desert in the Northern Territory and Western Australia. This show charts the evolution of her practice over 40 years. At 82, she continues to make work, endlessly fascinated by the possibilities of form and colour. – Nick Galvin
South Australia
Too Deadly: Ten Years of Taranathi
Art Gallery of South Australia until January 18
Too Deadly: Ten Years of Taranathi at the Art Gallery of South Australia.Credit: Saul Steed
For 10 years, Taranathi Festival has been showcasing and celebrating the work of contemporary Aboriginal and Torres Strait Islander artists. Including works by Tony Albert, Vincent Namatjira, Reko Rennie and Kaylene Whiskey, Too Deadly: Ten Years of Taranathi at the Art Gallery of South Australia marks this milestone with a remarkable exhibition that puts more than 200 works on display, drawn from across the past decade. – Elizabeth Flux
Tasmania
In the end, the beginning
Museum of Old and New Art until April 6
In the end, the beginning (2025).Credit: Jesse Hunniford
It’s impossible to go to Mona and have the same experience twice. Part of it is the scale – unless you dedicate a large chunk of time, you’ll never see it all. The rest is its ever-changing nature. Case in point – quite literally, while writing this article, Mona announced the opening of a new wing, all of which houses a new artwork by artist Anselm Kiefer. If you’re in Hobart over the summer, don’t miss Arcangelo Sassolino’s exhibition in the end, the beginning. The individual works are mesmerising and tense; from colourful oil seemingly defying gravity by clinging to a spinning wheel, the boulder perfectly balanced on a table of bent glass, the wood being painfully split by very slow application of pressure, to the final room where sparks fly. It’s the kind of show that stays with you for a long time. – Elizabeth Flux
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